Working Log: Colour Call

 

 

 

Whilst rigging lights, the crew would have a copy of a colour call, produced by the lighting designer which details both the appropriate gel colour and relevant light the gels will be assigned to.

The above colour call was altered during a rigging session. The lighting designer desired the gel number 103, however due to a lack of this gel in stock, we replaced them with 205, which closely resembles the straw colour of 103. To avoid light patches on the stage, we grouped the lights together so the beam would blend.



Below is an image of me Cutting a recquired gel to fit the gel frame of the lights.